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Late‑Autumn‑Katana – T10‑Clay‑Tempered‑Late‑Autumn‑Maple‑Leaf‑Autumnal‑Scenery‑Motif Japanese Katana Sword
Product Introduction
The Late‑Autumn‑Katana is warm elegant late‑autumn maple‑leaf autumnal‑scenery‑motif themed samurai katana, fully differentiated from raijin‑thunder‑god‑myth‑art katana, spring‑sakura‑hanamichi‑art katana, honsanmai‑sanmai‑forged chivalric‑fusion‑art tachi and other shinto‑myth‑art, spring‑floral‑aesthetic‑art, east‑west‑fusion‑tachi decorative swords. This autumnal‑scenery‑art‑oriented collectible adopts premium T10 high‑carbon steel with traditional tsuchioki clay‑differential‑tempering generating elegant midare‑gunome layered‑maple‑undulating hamon temper‑line. It is equipped with exquisite open‑work 3D‑sculpted maple‑leaf‑relief gilded‑bronze mounting hardware, deep‑green moro‑hineri cotton ito tsuka with off‑white faux ray‑fish samekawa inner lining, and solid hardwood finished in sophisticated black‑gold‑gradient lacquer decorated with shimmering golden‑maple‑leaf maki‑e graphic artwork, paired with thick deep‑green mixed‑braided sageo cord. Target audiences include autumnal‑scenery‑art nihonto collectors, japanese late‑autumn maple‑leaf fall‑scenery hobby enthusiasts, warm fall‑toned home‑interior decor buyers and poetic late‑autumn‑maple‑theme decorative‑gift buyers.
The blade adopts premium T10 high‑carbon steel with traditional tsuchioki clay‑differential temper‑treatment, generating visible elegant midare‑gunome layered‑maple‑undulating hamon temper‑line. Classic katana‑style shinogi‑zukuri blade geometry without blood‑groove hi, subtle embossed yokote dividing‑line, functional katana‑style kissaki tip and factory light‑sharp finish. Midare‑gunome layered‑maple‑undulating hamon and black‑gold‑gradient golden‑maple‑leaf maki‑e lacquer saya scratch easily; only static late‑autumn‑maple‑leaf‑autumnal‑scenery‑theme display and photo‑shooting are allowed. Heavy chopping and violent impact must be strictly prohibited to preserve warm poetic autumnal‑scenery‑art themed collectible surface condition.
Complete mounting‑hardware set uses exquisite open‑work 3D‑sculpted maple‑leaf‑relief gilded‑bronze fittings, round late‑autumn‑maple‑leaf‑motif carved tsuba, matching‑pattern fuchi & kashira, tiny autumn‑maple‑shape gilded‑bronze menuki ornaments and solid‑brass habaki plus gilded‑bronze seppa washers. Standard katana‑length tsuka grip uses off‑white faux artificial ray‑fish samekawa inner lining wrapped with thick deep‑green moro‑hineri cotton ito. Scabbard is solid hardwood finished in sophisticated black‑gold‑gradient lacquer with shimmering golden‑maple‑leaf maki‑e graphic artwork, fitted with gilded‑bronze koiguchi, kurikata and kojiri hardware; matched thick deep‑green mixed‑braided sageo cord with gilded‑bronze clasp. Two natural bamboo mekugi pegs build fully‑removable full‑tang construction for blade inspection and regular anti‑rust maintenance. Late‑autumn‑maple‑leaf‑autumnal‑scenery‑theme fabric storage bag, standard katana wooden display stand and sword‑maintenance‑kit are included as full free‑gift set; custom maple‑leaf‑emblem blade‑engraving upgrade available for extra charge.
Core Selling Advantages
- Warm elegant late‑autumn maple‑leaf autumnal‑scenery‑motif samurai katana, exquisite open‑work 3D‑sculpted maple‑leaf‑relief gilded‑bronze hand‑guard for autumnal‑scenery‑art sword‑collecting
- T10 clay‑differential‑tempered steel blade with elegant midare‑gunome layered‑maple‑undulating hamon temper‑line, authentic classic katana blade geometry for poetic japanese late‑autumn‑maple‑fall‑scenery‑art appreciation
- Full‑set maple‑leaf‑relief gilded‑bronze hardware reproduces warm poetic visual aura of japanese late‑autumn falling‑maple‑leaf scenery aesthetics
- Sophisticated black‑gold‑gradient lacquer hardwood katana saya decorated with shimmering golden‑maple‑leaf maki‑e artwork, delivers warm fall‑toned static‑presentation appearance
- Off‑white faux artificial ray‑fish‑skin samekawa inner lining for standard katana‑length tsuka, wrapped by durable deep‑green moro‑hineri cotton ito
- Dual bamboo‑peg fully‑detachable full‑tang build, supports full disassembly for blade inspection, cleaning and anti‑rust maintenance
- Authentic full‑size katana dimension, well‑suited for autumnal‑scenery‑art collection, warm fall‑toned interior‑display and poetic late‑autumn‑maple‑motif gift scenarios
Complete Original Product Specifications (All dimensions & materials fully retained without omission)
| Parameter Item | Parameter Value |
|---|---|
| Zencho Entire Total Length | 103.8cm / 40.86inch |
| Hacho Effective Blade Length | 72.6cm / 28.58inch |
| Tsuka Handle Length | 26.8cm / 10.55inch |
| Sori Blade Curvature | 1.78cm / 0.70inch |
| Sakikasane Tip Thickness | 0.44cm / 0.17inch |
| Motokasane Root Thickness | 0.71cm / 0.27inch |
| Sahihaba Tip Width | 2.22cm / 0.87inch |
| Motohaba Root Width | 3.11cm / 1.22inch |
| Kissaki Nagasa Tip Length | 4.0cm |
| Boshi Tip Shape | Classic Functional Katana‑Style Kissaki |
| Mizuheshi Heat Treatment | Tsuchioki Traditional Clay‑Differential Tempering |
| Hamon Temper Pattern | Elegant Midare‑Gunome Layered‑Maple‑Undulating Visible Hamon Temper‑Line |
| Hi Blood Groove | No Hi (No Groove) |
| Blade Raw Material | T10 High‑Carbon Mono‑Solid Steel |
| Blade Forge Structure | Maru‑gitae Mono‑Solid Forge |
| Blade Polishing Craft | Katana‑Grade Mirror Polishing For Midare‑Gunome Layered‑Maple‑Undulating Hamon Presentation |
| Blade Profile | Classic Katana‑Style Shinogi‑zukuri Geometry |
| Yokote Reinforcement Line | Subtle Embossed Yokote Separation Line |
| Tang Disassembly | Fully Removable Full Tang |
| Mekugiana Peg Holes | Two Bamboo Peg Holes |
| Mekugi Fix Pegs | Natural Solid Bamboo Pegs |
| Fuchi & Kashira Material | Open‑Work 3D‑Sculpted Maple‑Leaf‑Relief Gilded‑Bronze Fittings |
| Tsuka Wrap Craft | Moro‑hineri Durable Deep‑Green Cotton Ito Maki |
| Tsuka Inner Lining | Off‑White Faux Artificial Ray‑Fish Samekawa Skin |
| Side Menuki Ornaments | Tiny Autumn‑Maple‑Shape Gilded‑Bronze Mini Ornaments |
| Blade Seppa Washers | Solid Gilded‑Bronze Sheets |
| Tsuba Hand Guard | Open‑Work 3D‑Sculpted Maple‑Leaf‑Relief Autumnal‑Scenery‑Art Katana Tsuba |
| Habaki Blade Collar | Solid Raw‑Brass Finished Collar |
| Saya Scabbard Base | Solid Hardwood Sophisticated Black‑Gold‑Gradient Lacquer Finish, Shimmering Golden‑Maple‑Leaf Maki‑E Graphic Artwork Decoration |
| Sageo Binding Cord | Thick Deep‑Green Mixed‑Braided Cotton Rope With Gilded‑Bronze Clasp |
| Shitodome Fitting | Gilded‑Bronze Metal End‑Cap |
| Free Gift Accessory | Late‑Autumn‑Maple‑Leaf‑Autumnal‑Scenery‑Theme Fabric Storage Carry Bag + Standard Katana Wooden Display Stand + Sword‑Maintenance‑Tool Kit |
| Total Full Set Weight | 1290g / 2.84pounds |
| Desheath Blade+Handle Weight | 1050g / 2.31pounds |
| Blade Sharp Option | Fully Sharpened / Autumnal‑Scenery‑Art‑Reproduction Safe Unsharpened Optional |
| Custom Blade Engraving | Maple‑Leaf‑Emblem Logo Extra Charge Custom Upgrade Available |
| Handmade Reminder | Midare‑gunome layered‑maple‑undulating hamon line, maple‑leaf‑relief gilded‑bronze carving and golden‑maple‑leaf black‑gold‑gradient maki‑e lacquer may show minor handmade craft deviation for reference only |
Late‑Autumn‑Katana Autumnal‑Scenery‑Art Katana Parts Terminology Guide
KASHIRA: 3D‑sculpted autumn‑maple‑leaf‑relief gilded‑bronze katana pommel cap
MENUKI: Tiny autumn‑maple‑shape gilded‑bronze side mini ornaments
TSUKAMAKI: Durable deep‑green moro cotton katana grip wrap
SAMEKAWA: Off‑white faux artificial ray‑fish‑skin inner katana grip lining
FUCHI: Maple‑leaf‑relief gilded‑bronze grip‑ring fitting
TSUBA: Open‑work 3D‑sculpted maple‑leaf‑relief autumnal‑scenery‑art katana hand‑guard
HABAKI: Solid raw‑brass blade collar for classic katana mounting
KOIGUCHI: Black‑gold‑gradient golden‑maple‑leaf katana‑saya mouth with gilded‑bronze band
SAGEO: Thick deep‑green mixed‑braided binding cord with gilded‑bronze clasp
KURIKATA: Gilded‑Bronze cord‑ring fitting
SAYA: Sophisticated black‑gold‑gradient lacquer solid‑hardwood katana scabbard decorated with shimmering golden‑maple‑leaf maki‑e graphic artwork
KOJIRI: Gilded‑bronze katana‑saya bottom end‑cap
Blade dimension schematic stored in media library, visit Custom Blade Customization for maple‑leaf‑emblem logo engraving service.
Frequently Asked Questions
Q: What differentiates Late‑Autumn‑Katana from other themed katana?
A: This katana focuses on warm poetic japanese late‑autumn falling‑maple‑leaf fall‑scenery positioning, midare‑gunome layered‑maple‑undulating hamon, maple‑leaf gilded‑bronze fittings and black‑gold‑gradient golden‑maple‑leaf maki‑e saya; differs from shinto‑myth‑art, spring‑floral‑aesthetic‑art, east‑west‑fusion‑tachi‑style swords.
Q: What is special for midare‑gunome layered‑maple‑undulating hamon?
A: Layered undulating hamon imitates overlapping fallen maple‑leaves in late autumn, ideal for collectors fond of warm poetic japanese fall‑autumnal‑scenery themed swords.
Q: How to maintain golden‑maple‑leaf black‑gold‑gradient saya and maple‑leaf‑relief gilded‑bronze fittings?
A: Keep dry storage environment, avoid long‑term sunlight exposure and sharp scratches, wipe with soft dry cloth regularly, protect golden‑maple‑leaf maki‑e lacquer and gilded‑bronze alloy against oxidation‑tarnish.
Q: Can this late‑autumn‑maple‑leaf‑autumnal‑scenery themed katana be used for heavy cutting practice?
A: Delicate midare‑gunome hamon and shimmering golden‑maple‑leaf maki‑e lacquer surface are fragile; only static late‑autumn‑scenery‑theme‑display & photo‑shooting permitted, heavy chopping is strictly forbidden.
Q: Similar powerful japanese thunder‑god‑myth‑art collectible samurai katana reference?
A: View imposing shinto thunder‑god mythology themed samurai katana sword: Raijin‑Katana.
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Katana parts names and terminology
Katana parts names and terminology
In the world of Katana, Katana parts names and terminology are very important as most of the Katana parts names use Japanese vocabulary and special nouns. This page can help you understand Katana faster.


A.SAKIKASANE Thickness of blade tip.
B.MOTOKASANE Thickness of the bottom of the blade.
C.KISSAKI NAGASA Length of tip.
D.SAKIHABA Width of blade tip.
E.MUNE The surface of the katana back.
F.MOTOHABA Width of bottom of blade.
G.MUNEMACHI The notch at the top of the blade stem,where the back surface (mune) of the blade begins.
H.HAMACHI A notch at the top of the blade,where the blade begins.
I.FUKURA The radian of the blade in the tip area.
J.BOSHI Blade text in the tip area.
K.YOKOTE The boundary between blade tip and blade body.
L.KOSHINOGI Shinogi-ji above the blade tip area (yokote).
M. MITSUKADO Intersection point of yokote and blade edge of blade body and blade edge of tool tip.
N.SHINOGI MITSUKADO Shinogi,Koshinogi und Yokote linien.
O.SHINOGI-JI Blade surface between shinogi and mune.
P.SHINOGI A chear straight line extending along the longitudinal direction of the blade is the thickest part of the blade (only appearing on katana of shinogi-zakuri) .
Q.JI The surface between shinogi and nioiguchi.
R.HA The edge area of the cutter body is hardened by quenching.
S.HASAKI Asharpened edge.
T.NIOIGUCHI A clear line separating the hardened blade from the softer part of the blade body.
U.ASHI Nioiguchi's extension line in the direction of the blade.
V.HACHO A straight line that determines the length of the blade.
W.SORI Degree of blade bending.
X.ZENCHO The total length of the katana,including the stem (the blade length is only the blade body).
Y.NAKAGO NACASA Length of katana stem.
Z.MAKUGIANA A hole in the shank for receiving Mekugi (bamboo nail for fixing the blade in the handle).
AA,MEI Inscription on the hilt (usually the name of the katana maker,but there are often other information).
Now that you have learned the terminology and proper nouns of katana through this article, you also design customize your ideal katana.
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