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Multicolored‑Tachi – T10 Clay‑Tempered Rainbow‑Multihued Art‑Visual Tachi Sword
Product Introduction
The Multicolored‑Tachi is rainbow‑multihued vibrant art‑visual themed historical‑style tachi, fully differentiated from classical crane‑crest wakizashi, reverse‑edge combat‑concept katana, dark‑minimalist‑warrior tachi, avian‑wing ethereal‑art wakizashi, wildlife‑reptile‑motif katana, gothic‑spider‑art katana, zen‑bamboo wakizashi, sengoku daimyo historical‑tachi, imperial‑crest‑entry‑tachi, dragon‑theme swords, WWII military sabers and anime‑character replica swords. This bold colorful‑art‑oriented collectible adopts premium T10 high‑carbon steel with traditional tsuchioki clay‑differential‑tempering generating distinctive mixed‑gunome blended‑pattern undulating hamon temper‑line. It is equipped with eye‑catching open‑work abstract‑art rainbow‑gradient‑plated alloy mounting hardware, iridescent‑multitone moro‑hineri cotton ito tsuka with multicolor faux ray‑fish samekawa inner lining, and solid hardwood finished in multi‑layer iridescent‑color‑shift gradient lacquer, paired with traditional thick multicolor iridescent mixed‑woven tachi‑no‑sageo binding cord. Target audiences include bold vibrant‑art nihonto collectors, rainbow‑multihued visual‑aesthetics hobby enthusiasts, colorful accent interior‑decor buyers and distinctive vivid‑color‑art‑oriented decorative‑gift buyers.
The blade adopts premium T10 high‑carbon steel with traditional tsuchioki clay‑differential temper‑treatment, generating distinctive mixed‑gunome blended‑pattern visible undulating hamon temper‑line. Authentic long‑curved tachi‑style shinogi‑zukuri blade geometry without blood‑groove hi, subtle embossed yokote dividing‑line, extended functional historical tachi‑style kissaki tip and factory light‑sharp finish. Mixed‑gunome hamon and delicate multi‑layer iridescent‑gradient lacquer saya scratch easily; only static vibrant‑art‑theme display and photo‑shooting are allowed. Heavy chopping and violent impact must be strictly prohibited to preserve rainbow‑multihued art‑visual themed collectible surface condition.
Complete mounting‑hardware set uses eye‑catching open‑work abstract‑art rainbow‑gradient‑plated alloy fittings, round abstract‑art‑motif carved tsuba, matching‑pattern fuchi & kashira, tiny abstract‑shape rainbow‑gradient‑plated alloy menuki ornaments and solid‑brass habaki plus rainbow‑gradient‑plated alloy seppa washers. Long‑form tachi‑style tsuka grip uses multicolor faux artificial ray‑fish samekawa inner lining wrapped with thick iridescent‑multitone moro‑hineri cotton ito. Scabbard follows authentic tachi construction: solid hardwood finished in multi‑layer iridescent color‑shift gradient lacquer, fitted with rainbow‑gradient‑plated alloy koiguchi, kurikata and kojiri hardware; matched traditional thick multicolor iridescent mixed‑woven tachi‑no‑sageo cord with rainbow‑gradient‑plated alloy clasp. Two natural bamboo mekugi pegs build fully‑removable full‑tang construction for blade inspection and regular anti‑rust maintenance. Rainbow‑vibrant‑art‑theme fabric storage bag, wooden tachi‑display stand and sword‑maintenance‑kit are included as full free‑gift set; custom abstract‑art‑mark blade‑engraving upgrade available for extra charge.
Core Selling Advantages
- Bold eye‑catching rainbow‑multihued vibrant art‑visual historical‑style tachi, open‑work abstract‑art rainbow‑gradient‑plated alloy hand‑guard for colorful‑aesthetics sword‑art collecting
- T10 clay‑differential‑tempered steel blade with distinctive mixed‑gunome blended‑pattern undulating hamon temper‑line, authentic long‑curved historical tachi blade geometry
- Whole‑set rainbow‑gradient‑plated abstract‑art alloy hardware delivers striking vivid multicolored visual‑art atmosphere
- Multi‑layer iridescent color‑shift gradient lacquer hardwood tachi saya, creates show‑stopping rainbow‑multihued decorative‑display appearance
- Multicolor faux artificial ray‑fish‑skin samekawa inner lining for long tachi‑style tsuka, wrapped by durable iridescent‑multitone moro‑hineri cotton ito
- Dual bamboo‑peg fully‑detachable full‑tang build, supports full disassembly for blade inspection, cleaning and anti‑rust maintenance
- Authentic large‑size tachi dimension, well‑suited for vibrant rainbow‑art collection, colorful‑accent interior‑display and bold multihued‑art‑motif gift scenarios
Complete Original Product Specifications (All dimensions & materials fully retained without omission)
| Parameter Item | Parameter Value |
|---|---|
| Zencho Entire Total Length | 107.6cm / 42.36inch |
| Hacho Effective Blade Length | 75.0cm / 29.53inch |
| Tsuka Handle Length | 28.0cm / 11.02inch |
| Sori Blade Curvature | 2.20cm / 0.87inch |
| Sakikasane Tip Thickness | 0.47cm / 0.18inch |
| Motokasane Root Thickness | 0.73cm / 0.29inch |
| Sahihaba Tip Width | 2.28cm / 0.90inch |
| Motohaba Root Width | 3.20cm / 1.26inch |
| Kissaki Nagasa Tip Length | 4.2cm |
| Boshi Tip Shape | Extended Functional Historical Tachi‑Style Kissaki |
| Mizuheshi Heat Treatment | Tsuchioki Traditional Clay‑Differential Tempering |
| Hamon Temper Pattern | Distinctive Mixed‑Gunome Blended‑Pattern Visible Undulating Hamon Temper‑Line |
| Hi Blood Groove | No Hi (No Groove) |
| Blade Raw Material | T10 High‑Carbon Mono‑Solid Steel |
| Blade Forge Structure | Maru‑gitae Mono‑Solid Forge |
| Blade Polishing Craft | High‑Grade Tachi‑Mirror Polishing For Mixed‑Gunome Blended‑Pattern Hamon Presentation |
| Blade Profile | Authentic Long‑Curved Tachi‑Style Shinogi‑zukuri Geometry |
| Yokote Reinforcement Line | Subtle Embossed Yokote Separation Line |
| Tang Disassembly | Fully Removable Full Tang |
| Mekugiana Peg Holes | Two Bamboo Peg Holes |
| Mekugi Fix Pegs | Natural Solid Bamboo Pegs |
| Fuchi & Kashira Material | Open‑Work Abstract‑Art Rainbow‑Gradient‑Plated Alloy Fittings |
| Tsuka Wrap Craft | Moro‑hineri Durable Iridescent‑Multitone Cotton Ito Maki |
| Tsuka Inner Lining | Multicolor Faux Artificial Ray‑Fish Samekawa Skin |
| Side Menuki Ornaments | Tiny Abstract‑Shape Rainbow‑Gradient‑Plated Alloy Mini Ornaments |
| Blade Seppa Washers | Solid Rainbow‑Gradient‑Plated Alloy Sheets |
| Tsuba Hand Guard | Open‑Work Abstract‑Art Rainbow‑Gradient‑Plated Historical Tachi Tsuba |
| Habaki Blade Collar | Solid Raw‑Brass Finished Collar |
| Saya Scabbard Base | Solid Hardwood Multi‑Layer Iridescent Color‑Shift Gradient Lacquer Finish, Authentic Tachi‑Saya Construction |
| Sageo Binding Cord | Traditional Thick Multicolor Iridescent Mixed‑Woven Tachi‑No‑Sageo Cotton Rope With Rainbow‑Gradient‑Plated Alloy Clasp |
| Shitodome Fitting | Rainbow‑Gradient‑Plated Alloy Metal End‑Cap |
| Free Gift Accessory | Rainbow‑Vibrant‑Art‑Theme Fabric Storage Carry Bag + Wooden Tachi‑Display Stand + Sword‑Maintenance‑Tool Kit |
| Total Full Set Weight | 1390g / 3.06pounds |
| Desheath Blade+Handle Weight | 1130g / 2.49pounds |
| Blade Sharp Option | Fully Sharpened / Vibrant‑Art‑Reproduction Safe Unsharpened Optional |
| Custom Blade Engraving | Abstract‑Art‑Mark Logo Extra Charge Custom Upgrade Available |
| Handmade Reminder | Mixed‑gunome blended‑pattern hamon line, abstract‑art rainbow‑gradient‑plated alloy and multi‑layer iridescent gradient lacquer may show minor handmade craft deviation for reference only |
Multicolored‑Tachi Rainbow‑Vibrant‑Art Tachi Parts Terminology Guide
KASHIRA: Abstract‑art rainbow‑gradient‑plated alloy tachi pommel cap
MENUKI: Tiny abstract‑shape rainbow‑gradient‑plated alloy side mini ornaments
TSUKAMAKI: Durable iridescent‑multitone moro cotton tachi grip wrap
SAMEKAWA: Multicolor faux artificial ray‑fish‑skin inner long‑tachi grip lining
FUCHI: Abstract‑art‑motif rainbow‑gradient‑plated alloy grip‑ring fitting
TSUBA: Open‑work abstract‑art rainbow‑gradient‑plated vibrant‑art tachi hand‑guard
HABAKI: Solid raw‑brass blade collar for authentic tachi mounting
KOIGUCHI: Multi‑layer iridescent‑gradient lacquer tachi‑saya mouth with rainbow‑gradient‑plated alloy band
SAGEO(Tachi‑No‑Sageo): Traditional thick multicolor iridescent mixed‑woven tachi‑scabbard sageo cord with rainbow‑gradient‑plated alloy clasp
KURIKATA(Ashikanamono): Rainbow‑Gradient‑Plated Alloy cord‑ring tachi‑saya fitting
SAYA: Multi‑layer iridescent color‑shift gradient lacquer solid‑hardwood historical‑reproduction tachi scabbard
KOJIRI: Rainbow‑gradient‑plated alloy tachi‑saya bottom end‑cap
Blade dimension schematic stored in media library, visit Custom Blade Customization for abstract‑art‑mark logo engraving service.
Frequently Asked Questions
Q: What differentiates Multicolored‑Tachi from other reproduction tachi?
A: This tachi adopts bold rainbow‑multihued iridescent‑gradient visual‑art design, mixed‑gunome blended hamon and colorful gradient‑plated abstract‑art hardware; differs from historical‑crest, plant‑animal, gothic and minimalist‑style tachi.
Q: What is special for mixed‑gunome blended‑pattern hamon?
A: Blended mixed‑gunome hamon features variable undulating temper‑lines, complements the unrestrained vibrant rainbow‑multihued artistic positioning for visual‑art sword collectors.
Q: How to maintain multi‑layer iridescent‑gradient lacquer saya and rainbow‑gradient‑plated alloy fittings?
A: Keep dry storage environment, avoid long‑term sunlight exposure and sharp scratches, wipe with soft dry cloth regularly to protect iridescent lacquer and plated alloy against oxidation and tarnish.
Q: Can this vibrant‑art themed tachi be used for heavy cutting practice?
A: Mixed‑gunome hamon and delicate multi‑layer iridescent‑gradient lacquer surface are fragile; only static vibrant‑art‑theme display & photo‑shooting permitted, heavy chopping is strictly forbidden.
Q: Similar classical tsurumaru‑crane‑crest‑art collectible wakizashi reference?
A: View refined traditional‑crest‑art short samurai sword: Tsurumaru‑Wakizashi.
Browse historical‑reproduction, traditional & anime‑themed handmade swords in Katana Collection.
All orders support free US shipping and 30‑day hassle‑free return policy.
Tachi Parts names and terminology
Tachi Parts names and terminology

SHIZUJIJANAMONO The cap at the bottom of the scabbard is usually made of animal horn or metal
KASHIWABA Leaf-shaped projection on the metal decoration near shizujijanamono on the scabbard
SEMEKANAMONO Metal decoration on scabbard near shizujijanamono
ASHIKANAMONO Tachi scabbard has two metal rings (one near the scabbard mouth is called "one foot" and the other is called "two feet"), which are interwoven and woven with ropes to make it easy to carry
SAYA Sheath
MON Emblems
TACHIO Connect the straps between two taikogawa
TAIKOGAWA It is used to pass through tachio and tie it around the waist. Generally, in order to ensure the strength, some reinforcing fittings will be added
TAIKOGANE Metal buckle on taikogawa
ASHIGAWA Pass taichio through here to make it easy to wear at the waist. TAIKOGAWA, which decorates the sword, is usually folded into a rope with thin leather
KAWASAKIKANAMONO A small piece of metal connecting the ribbon with ashikanamono
TSUBA Hand guard between handle and blade
TASUKA handle

A.SAKIKASANE Thickness of blade tip.
B.MOTOKASANE Thickness of the bottom of the blade.
C.KISSAKI NAGASA Length of tip.
D.SAKIHABA Width of blade tip.
E.MUNE The surface of the katana back.
F.MOTOHABA Width of bottom of blade.
G.MUNEMACHI The notch at the top of the blade stem,where the back surface (mune) of the blade begins.
H.HAMACHI A notch at the top of the blade,where the blade begins.
I.FUKURA The radian of the blade in the tip area.
J.BOSHI Blade text in the tip area.
K.YOKOTE The boundary between blade tip and blade body.
L.KOSHINOGI Shinogi-ji above the blade tip area (yokote).
M. MITSUKADO Intersection point of yokote and blade edge of blade body and blade edge of tool tip.
N.SHINOGI MITSUKADO Shinogi,Koshinogi und Yokote linien.
O.SHINOGI-JI Blade surface between shinogi and mune.
P.SHINOGI A chear straight line extending along the longitudinal direction of the blade is the thickest part of the blade (only appearing on katana of shinogi-zakuri) .
Q.JI The surface between shinogi and nioiguchi.
R.HA The edge area of the cutter body is hardened by quenching.
S.HASAKI Asharpened edge.
T.NIOIGUCHI A clear line separating the hardened blade from the softer part of the blqde body.
U.ASHI Nioiguchi's extension line in the direction of the blade.
V.HACHO A straight line that determines the length of the blade.
W.SORI Degree of blade bending.
X.ZENCHO The total length of the katana,including the stem (the blade length is only the blade body).
Y.NAKAGO NACASA Length of katana stem.
Z.MAKUGIANA A hole in the shank for receiving Mekugi (bamboo nail for fixing the blade in the handle).
AA,MEI Inscription on the hilt (usually the name of the katana maker,but there are often other information).
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