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Mitsuhide‑Akechi‑Tachi – Sengoku Akechi‑Mitsuhide Historical Tachi Sword
Product Introduction
The Mitsuhide‑Akechi‑Tachi is Sengoku‑period historical‑reproduction tachi themed after feudal warlord Akechi Mitsuhide, fully differentiated from WWII‑era military sabers, floral‑art katana, minimalist shirasaya, gothic‑fantasy and anime‑character replica swords. This feudal‑japan history‑oriented collectible is built with premium T10 high‑carbon steel and traditional tsuchioki clay‑differential‑tempering craft. It is equipped with elaborate silver‑toned alloy mounting hardware engraved with Akechi‑style floral family‑mon patterns, white‑thread moro‑hineri ito tsuka with faux ray‑fish samekawa inner lining, and solid hardwood deep‑blue lacquer tachi‑style saya decorated with golden floral‑mon printing, paired with authentic navy‑blue tachi‑no‑sageo binding cord. Target audiences include Sengoku‑era feudal‑warrior history collectors, Akechi‑Mitsuhide history enthusiasts, historical‑tachi‑theme interior‑decor and distinctive feudal‑japan‑history‑style decorative‑gift buyers.
The blade adopts premium T10 high‑carbon steel with traditional tsuchioki clay‑differential temper‑treatment, producing clean visible temper hamon line. Authentic long‑curved tachi‑style shinogi‑zukuri blade geometry without blood‑groove hi, subtle embossed yokote dividing‑line, extended classic tachi‑style kissaki tip and factory light‑sharp finish. Polished blade surface and lacquered saya scratch easily; only static home‑display and photo‑shooting are allowed. Heavy chopping and violent impact must be strictly prohibited to preserve Sengoku‑historical‑reproduction collectible surface condition.
Complete mounting‑hardware set uses elaborate silver‑toned alloy fittings engraved with floral family‑mon motifs, multi‑petal floral‑mon carved round tachi tsuba, matching‑pattern fuchi & kashira, small floral‑mon alloy menuki ornaments and solid‑brass habaki plus alloy seppa washers. Long‑form tachi‑style tsuka grip uses faux artificial ray‑fish samekawa inner lining wrapped with thick white moro‑hineri cotton ito. Scabbard follows authentic tachi construction: solid hardwood finished in rich deep‑blue lacquer decorated with golden floral‑mon artwork, fitted with silver‑toned alloy koiguchi, kurikata and kojiri; matched traditional thick navy‑blue tachi‑no‑sageo braided cord with silver‑toned alloy clasp. Two natural bamboo mekugi pegs build fully‑removable full‑tang construction for blade inspection and regular anti‑rust maintenance. Sengoku‑history theme fabric storage bag, wooden tachi‑display stand and sword‑maintenance‑kit are included as full free‑gift set; custom Akechi‑family‑mon blade‑engraving upgrade available for extra charge.
Core Selling Advantages
- Historical‑reproduction tachi themed after Sengoku‑period warlord Akechi Mitsuhide, authentic long‑curved tachi blade geometry for feudal‑japan history collection
- T10 clay‑differential‑tempered steel blade with visible hamon temper‑line, faithful to Sengoku‑era tachi smithing tradition
- Full‑set silver‑toned alloy fittings carved with exclusive Akechi‑style floral family‑mon patterns, restores Sengoku noble‑warrior mounting aesthetics
- Deep‑blue lacquer hardwood tachi saya printed with golden floral‑mon emblem, reproduces high‑rank noble tachi scabbard visual style
- White‑thread wrapped tsuka grip with faux ray‑fish‑skin inner lining, matches period‑correct Sengoku tachi handle styling
- Dual bamboo‑peg fully‑detachable full‑tang build, supports full disassembly for blade inspection, cleaning and anti‑rust maintenance
- True‑to‑era tachi‑style dimension, well‑suited for Sengoku‑war‑history cabinet‑display, history‑collector showcase and feudal‑japan‑theme gift scenarios
Complete Original Product Specifications (All dimensions & materials fully retained without omission)
| Parameter Item | Parameter Value |
|---|---|
| Zencho Entire Total Length | 107.2cm / 42.20inch |
| Hacho Effective Blade Length | 76.5cm / 30.12inch |
| Tsuka Handle Length | 28.4cm / 11.18inch |
| Sori Blade Curvature | 2.10cm / 0.82inch |
| Sakikasane Tip Thickness | 0.41cm / 0.16inch |
| Motokasane Root Thickness | 0.71cm / 0.28inch |
| Sahihaba Tip Width | 2.23cm / 0.87inch |
| Motohaba Root Width | 3.22cm / 1.27inch |
| Kissaki Nagasa Tip Length | 4.1cm |
| Boshi Tip Shape | Extended Classic Tachi‑Style Kissaki |
| Mizuheshi Heat Treatment | Tsuchioki Traditional Clay‑Differential Tempering |
| Hamon Temper Pattern | Clean Visible Temper Hamon Line |
| Hi Blood Groove | No Hi (No Groove) |
| Blade Raw Material | T10 High‑Carbon Mono‑Solid Steel |
| Blade Forge Structure | Maru‑gitae Mono‑Solid Forge |
| Blade Polishing Craft | Traditional High‑Grade Tachi‑Grade Mirror Polishing |
| Blade Profile | Authentic Long‑Curved Tachi‑Style Shinogi‑zukuri Geometry |
| Yokote Reinforcement Line | Subtle Embossed Yokote Separation Line |
| Tang Disassembly | Fully Removable Full Tang |
| Mekugiana Peg Holes | Two Bamboo Peg Holes |
| Mekugi Fix Pegs | Natural Solid Bamboo Pegs |
| Fuchi & Kashira Material | Silver‑Toned Alloy With Akechi‑Style Floral‑Mon Engraved Motif |
| Tsuka Wrap Craft | Moro‑hineri Thick White Cotton Ito Maki |
| Tsuka Inner Lining | Faux Artificial Ray‑Fish Samekawa Skin |
| Side Menuki Ornaments | Small Floral‑Mon‑Shape Silver‑Toned Alloy Mini Ornaments |
| Blade Seppa Washers | Solid Silver‑Toned Alloy Sheets |
| Tsuba Hand Guard | Multi‑Petal Floral‑Mon‑Carved Silver‑Toned Alloy Historical Tachi Tsuba |
| Habaki Blade Collar | Solid Raw‑Brass Finished Collar |
| Saya Scabbard Base | Solid Hardwood Rich Deep‑Blue Lacquer Finish, Golden Floral‑Mon Artwork Print, Authentic Tachi‑Saya Construction |
| Sageo Binding Cord | Traditional Thick Navy‑Blue Braided Tachi‑No‑Sageo Cotton Rope With Silver‑Toned Alloy Clasp |
| Shitodome Fitting | Silver‑Toned Alloy Metal End‑Cap |
| Free Gift Accessory | Sengoku‑History‑Theme Fabric Storage Carry Bag + Wooden Tachi‑Display Stand + Sword‑Maintenance‑Tool Kit |
| Total Full Set Weight | 1385g / 3.05pounds |
| Desheath Blade+Handle Weight | 1126g / 2.48pounds |
| Blade Sharp Option | Fully Sharpened / Historical‑Reproduction Safe Unsharpened Optional |
| Custom Blade Engraving | Akechi‑Floral‑Mon‑Mark Logo Extra Charge Custom Upgrade Available |
| Handmade Reminder | Temper hamon, floral‑mon alloy engraving and deep‑blue lacquer may show minor handmade craft deviation for reference only |
Mitsuhide‑Akechi‑Tachi Sengoku‑Tachi Parts Terminology Guide
KASHIRA: Akechi‑floral‑mon engraved silver‑toned alloy tachi pommel cap
MENUKI: Small floral‑mon‑shape silver‑toned alloy side mini ornaments
TSUKAMAKI: Thick white moro cotton tachi grip wrap
SAMEKAWA: Faux artificial ray‑fish‑skin inner long‑tachi grip lining
FUCHI: Akechi‑floral‑mon silver‑toned alloy grip‑ring fitting
TSUBA: Multi‑petal floral‑mon carved historical Sengoku‑tachi hand‑guard
HABAKI: Solid raw‑brass blade collar for authentic tachi mounting
KOIGUCHI: Deep‑blue lacquer tachi‑saya mouth with silver‑toned alloy band
SAGEO(Tachi‑No‑Sageo): Traditional thick navy‑blue braided tachi‑scabbard sageo cord with silver‑toned alloy clasp
KURIKATA(Ashikanamono): Silver‑toned alloy cord‑ring tachi‑saya fitting
SAYA: Deep‑blue lacquer solid‑hardwood historical reproduction tachi scabbard with golden floral‑mon print
KOJIRI: Silver‑toned alloy tachi‑saya bottom end‑cap
Blade dimension schematic stored in media library, visit Custom Blade Customization for Akechi‑floral‑mon logo engraving service.
Frequently Asked Questions
Q: What differentiates Mitsuhide‑Akechi‑Tachi from katana or military‑saber?
A: This is authentic Sengoku‑era historical‑reproduction tachi for Akechi Mitsuhide theme, adopts long‑curved tachi‑geometry, tachi‑no‑sageo mounting system; structurally different from later‑period katana and WWII military sabers.
Q: What is special for Akechi‑style floral‑mon fittings?
A: The floral‑mon motif references Sengoku noble family emblems, designed for feudal‑japan Sengoku‑history collectors and theme‑oriented static display.
Q: How to maintain deep‑blue lacquer tachi saya and silver‑toned alloy fittings?
A: Keep dry storage environment, avoid long‑term sunlight exposure and sharp scratches, wipe with soft dry cloth regularly to protect lacquer and alloy against oxidation and tarnish.
Q: Can this historical‑reproduction tachi be used for heavy cutting practice?
A: Temper hamon and lacquer surface are delicate; only static history‑theme display & photo‑shooting permitted, heavy chopping is strictly forbidden.
Q: Similar WWII‑era military‑reproduction saber reference?
A: View shin‑gunto 98‑type officer military saber: Soul‑Type‑98‑Saber.
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Tachi Parts names and terminology
Tachi Parts names and terminology

SHIZUJIJANAMONO The cap at the bottom of the scabbard is usually made of animal horn or metal
KASHIWABA Leaf-shaped projection on the metal decoration near shizujijanamono on the scabbard
SEMEKANAMONO Metal decoration on scabbard near shizujijanamono
ASHIKANAMONO Tachi scabbard has two metal rings (one near the scabbard mouth is called "one foot" and the other is called "two feet"), which are interwoven and woven with ropes to make it easy to carry
SAYA Sheath
MON Emblems
TACHIO Connect the straps between two taikogawa
TAIKOGAWA It is used to pass through tachio and tie it around the waist. Generally, in order to ensure the strength, some reinforcing fittings will be added
TAIKOGANE Metal buckle on taikogawa
ASHIGAWA Pass taichio through here to make it easy to wear at the waist. TAIKOGAWA, which decorates the sword, is usually folded into a rope with thin leather
KAWASAKIKANAMONO A small piece of metal connecting the ribbon with ashikanamono
TSUBA Hand guard between handle and blade
TASUKA handle

A.SAKIKASANE Thickness of blade tip.
B.MOTOKASANE Thickness of the bottom of the blade.
C.KISSAKI NAGASA Length of tip.
D.SAKIHABA Width of blade tip.
E.MUNE The surface of the katana back.
F.MOTOHABA Width of bottom of blade.
G.MUNEMACHI The notch at the top of the blade stem,where the back surface (mune) of the blade begins.
H.HAMACHI A notch at the top of the blade,where the blade begins.
I.FUKURA The radian of the blade in the tip area.
J.BOSHI Blade text in the tip area.
K.YOKOTE The boundary between blade tip and blade body.
L.KOSHINOGI Shinogi-ji above the blade tip area (yokote).
M. MITSUKADO Intersection point of yokote and blade edge of blade body and blade edge of tool tip.
N.SHINOGI MITSUKADO Shinogi,Koshinogi und Yokote linien.
O.SHINOGI-JI Blade surface between shinogi and mune.
P.SHINOGI A chear straight line extending along the longitudinal direction of the blade is the thickest part of the blade (only appearing on katana of shinogi-zakuri) .
Q.JI The surface between shinogi and nioiguchi.
R.HA The edge area of the cutter body is hardened by quenching.
S.HASAKI Asharpened edge.
T.NIOIGUCHI A clear line separating the hardened blade from the softer part of the blqde body.
U.ASHI Nioiguchi's extension line in the direction of the blade.
V.HACHO A straight line that determines the length of the blade.
W.SORI Degree of blade bending.
X.ZENCHO The total length of the katana,including the stem (the blade length is only the blade body).
Y.NAKAGO NACASA Length of katana stem.
Z.MAKUGIANA A hole in the shank for receiving Mekugi (bamboo nail for fixing the blade in the handle).
AA,MEI Inscription on the hilt (usually the name of the katana maker,but there are often other information).
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